At the Bath House Cultural Center
White Rock Lake, Dallas, Texas

February 9 - 25, 2012

Directed by Pam Myers-Morgan

Featuring
Wendy Blackburn, Stephanie Butler, Kateri Cale, Matthew Clark,
Tamitha Curiel, Lisa Anne Haram, Jennings Humphries, Ellen Locy,
David Lugo, David Meglino, Miller Pyke, Kylie Zeko and Tatum Zeko

Who is Conrad Eppler? Three adolescent angels make an unlicensed appearance on Earth, triggering reactions on three planes: the material planet Earth (where Conrad resides with the Sisters of Sorrow), the celestial planet Grace (where angels are cultured), and the transitional Moon (where the Joyous Mystery Sisters abide). There is a revolution in progress in the heavens, but Heaven knows that Earth is the future. Eden will no longer be just some has-been, burned-out tear-down, but rather a vision unrealized, a Garden yet-to-be. Throw the lever in reverse! There’s still time! Conrad's the key; the Apocalyptic future can be rewritten! Experience the Eppler Effect!

Producer: Terri Ferguson
Stage Manager: Jordan Willis
Assistant Stage Manager: Alett Gray
Assistant Director: Reis Myers McCormick
Set Design: Christopher Jenkins
Lighting Design: Jaymes Gregory
Sound Design: M. Graeme Bice
Costume Design: Ryan Matthieu Smith
Prop Design: Rebekka Koepke and Lynne Mauldin
Technical Director: Bryan Douglas
Production Assistant: James Stroman
Publicity: Kateri Cale

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Isabella Russell-Ides entered the Dallas play fray in 2003 with Think Tanks for Xmas At Ground Zero. In 2007 – 2008, seventeen cities saw productions of her plays including NYC [twice!]. Coco & Gigi repartéed on park benches from Canada to the Carolinas and was an audience and critical hit at the Festival of Independent Theatres in 2008. The award winning Leonard’s Car [Leon Rabin, The Column], first produced at FIT, premiered its sleek new African-American incarnation at the new Bishop Arts Theater Center.